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Marooned in the 19th century Old West, an alien must survive on the violent planet and return to his homeworld to destroy his mortal enemies and avenge his people.
During a raid to a Comanche camp he rescues Anna, a tall warrior woman. The two become friends and comrades, their fates forever intertwined. They find themselves together in the prairies of 19th century Texas, the bordellos of Civil War-era New Orleans, to Prohibition in the 1920s, the Great Depression, and the vastness of space.
But will they survive hardships through history, the enmity of their southern neighbors and the Civil War, and be able to return to his home planet to exact his revenge?
Amazon bestseller in Sci-Fi Westerns (2015)
- Sales Rank: #143647 in eBooks
- Published on: 2015-02-10
- Released on: 2015-02-10
- Format: Kindle eBook
About the Author
Mari Collier was born and raised on a farm in Iowa. From there she moved to Phoenix, then to North Bend, WA, and found refuge in a small community in the high desert of California. She is an active member of the Desert Writers Guild, on the Board of Directors for The Historical Society of Twentynine Palms, and the congregational secretary for Good Shepherd Lutheran Church. She writes two col-umns for the Old Schoolhouse Journal and enjoys family, friends, the local art galleries, and theaters. Earthbound is the prequel to Gather The Children.
Most helpful customer reviews
10 of 10 people found the following review helpful.
Review of Mari Collier's Science Fiction Trilogy
By Greg
Review of Mari Collier's Science Fiction Trilogy
By Greg Gilbert, Trustee and Professor Emeritus, Copper Mountain College
Mari Collier's science fiction trilogy, Earthbound, then Gather the Children, and Before We Leave, is original and compelling literature. Published long before the debut of the film Cowboys and Aliens, this is an epic work that transcends such shot-em-up entertainment by offering the reader generations of fully developed characters, rich sub-plots, and a captivating central story that brings American history to life and reaches into the cultures of interstellar civilizations. Collier's depictions of alien civilizations are as groundbreaking as her original concept of stranding extraterrestrials in 19th Century America. In the tradition of Roddenberry, Asimov, and Heinlein each culture represents facets of her characters and turns an insightful mirror toward our own human foibles - while presenting some rituals that Roddenberry could never have gotten past the television censors.
Of great interest is how Collier's characters are revealed by the day-to-day circumstances of 19th and 20th Century life. In her work we live with German and Lutheran immigrants, witness the development of small frontier towns, visit American cities on the eve of the Civil War, are kidnapped by Comanche warriors, experience frontier childbirths, herd cattle to distant markets, attend hard pew Lutheran church services, survive brawls with knives, fists, and guns, become consumed by the sweetness of courtship and enduring love, and suffer the premature losses of children and spouses to childbirth, influenza, and sudden violence.
Chief among Collier's accomplishments, though, is the towering figure of McDonald, a six-foot-nine interstellar half-breed with an insatiable sexual drive, two hearts, and a principled nobility that steadies the rudder of the entire ensemble. In the annuals of fictional characters, McDonald's figure towers both physically and in the hearts of those who read Collier's trilogy. A titled warrior who was abducted from his homeland, he comes into his own on Earth and devotes himself to a nearly century long process of learning how to navigate the Golden One, an enormous spacecraft that he has hidden beneath a hill adjacent to his ranch. McDonald will live hundreds of years, will marry an extraordinary earth woman and build a life; he'll father children and tell them about his homeland and his warrior mother, a statuesque woman whose legacy has shaped his life - and he'll contend with other entities from the stars, bronze eyed interstellar beings who walk among unsuspecting humans.
From the prairies of 19th Century Texas to the bordellos of Civil War New Orleans, from the 1920's Prohibition era and 1930's Great Depression to the vastness of space, Mari Collier immerses her readers into a thoroughly imagined and sweeping science fiction epic that provides us with characters who will remain in our memories long after we've closed her books.
8 of 8 people found the following review helpful.
Her beloved desert and old West come alive
By Kenna McKinnon
Earthbound is the first in a trilogy written by consummate author Mari Collier, undervalued by far, as any of her faithful readers will attest. A rollicking good story of men and women with true grit, in the old West, coupled with aliens living amongst us and an underground hideaway in the hills which houses a secret known only to the steadfast hero and a couple of friends. Mari's love of writing and complex plot and characters, particularly the masculine characters, shines through every word. Her beloved desert and old West come alive in these pages. Even the aliens seem human and are believable. You must like scifi and strong men and women to love this book as I did, and a bit of mystery and romance thrown in for a spark...who wouldn't love it?
5 of 5 people found the following review helpful.
Except for that...
By Hard2Please
This is a nice mix of western and sci-fi with a good plot and interesting characters. My one complaint is a big one however. Writing dialect is very hard to do and I applaud the attempt. But it was a failure for the most part. The mixture of German and English for the Germans wasn't too badly done and only resulted in some awkward phrasing from time to time. Why the alien spoke pseudo Scotttish was a mystery and the contractions were terribly used. Tis is the contraction of it is and twas of it was. To say it twas really means it it was. No one would speak that way. It is not only wrong it is meaningless. Mac's dialect was nonsensical mish mash. Worst of all was the pathetic attempt to create a Southern dialect. Y'all is the contraction of you all and no one would say you all to one person, especially not a Southerner. Y'all used as every other word does not a Southern dialect make. This is why dialect is so hard to write. Most people only understand their own dialect and make bad mistakes trying to portray another's. Except for that, I enjoyed the book.
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