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Scum Manifesto, by Valerie Solanas

Scum Manifesto, by Valerie Solanas



Scum Manifesto, by Valerie Solanas

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Scum Manifesto, by Valerie Solanas

SCUM Manifesto was considered one of the most outrageous, violent and certifiably crazy tracts when it first appeared in 1968. Valerie Solanas, the woman who shot Andy Warhol, self-published this work just before her rampage against the king of Pop Art made her a household name and resulted in her confinement to a mental institution. But the Manifesto, for all its vitriol, is impossible to dismiss as just the rantings of a lesbian lunatic. In fact, the work has indisputable prescience, not only as a radical feminist analysis light-years ahead of its timepredicting artificial insemination, ATMs, a feminist uprising against under-representation in the artsbut also as a stunning testament to the rage of an abused and destitute woman.

The focus of this edition is not on the nostalgic appeal of the work, but on Avital Ronell’s incisive introduction, “Deviant Payback: The Aims of Valerie Solanas.” Here is a reconsideration of Solanas’s infamous text in light of her social milieu, Derrida’s “The Ends of Man” (written in the same year), Judith Butler’s Excitable Speech, Nietzsche’s Ubermensch and notorious feminist icons from Medusa, Medea and Antigone, to Lizzie Borden, Lorenna Bobbit and Aileen Wournos, illuminating the evocative exuberance of Solanas’s dark tract.

  • Sales Rank: #707381 in Books
  • Published on: 2004-05
  • Released on: 2004-05-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.80" h x .60" w x 5.60" l, .61 pounds
  • Binding: Hardcover
  • 96 pages
Features
  • women's studies

Review
“The SCUM Manifesto is a document of profound vulnerability, written in a voice of profound empowerment. It’s a brutal call to arms, written by a woman in a world of hurt. This tension between powerlessness and power makes it an enduring piece of writing. Never have the personal and the political been so mercilessly zipped together, like little steel teeth.”
—Claire Dederer, Nation

“Solanas is as relevant today as she was in the 1960s, because nothing much has changed for women.”
—Julie Bindel, Spectator

“You either happen to think this is a work of unadulterated genius, or you dismiss it as the ravings of a loony psycho-bitch, not understanding that this is exactly what makes it so compelling and so charged with insight.”
—Suzanne Moore, New Statesman

“Valerie Solanas wrote a very angry and very precise portrait of what she considered the male to be: something between a human and an ape; an unresponsive blob only concerned with physical sensation and without the capacity for empathy or self-knowledge or intimacy, and at the same time full of hatred and jealously and shame and guilt. Her description is beautiful and on some level, I think, entirely accurate.”
—Nick Cave

“Its nihilism is a form of utopia for Solanas, a pre-punk aesthete who fearlessly tossed out ideas that people are just now beginning to raise … As a mixture of social philosophy and fine shtick, her work has the rare virtue of seeming at the same time totally insane and totally right.”
—Los Angeles Times

“As Solanas reminds us, revolutionary ideas don’t emerge quietly from the elite stratum of a society; they often bloom from its scum.”
—Dissent

“Gleefully incoherent, crackling with energy.”
—Bookslut

“Articulate, angry and funny.”
—Guardian


From the Trade Paperback edition.

About the Author
Avital Ronell teaches at New York University, The European Graduate School and Paris VIII, and is the author of many books including The Test Drive.

Most helpful customer reviews

0 of 0 people found the following review helpful.
I was using this for research on a short story ...
By catch22
I was using this for research on a short story I was writing. It did have some interesting takes and was an interesting read.

5 of 29 people found the following review helpful.
She Had A Reason For Wanting To Cut Up Men!
By Uber Duck
Valerie Solanas was a radical feminist and a Lesbian. She had very specific ideas about society, culture, the gender programming between the sexes and Andy Warhol. She shot Andy after she wrote the Manifesto. But in many ways he was a contributor to her philosophy and that of the Society For Cutting Up Men. (S.C.U.M.)
Valerie shot Andy Warhol in 1968. She died 20 years later of emphysema and pneumonia in the Bristol Hotel in San Francisco California. She was 52 years old.

Troubled as she was she possessed a keen insight into the human condition. Especially responsible for this impression on her personal experience was Men. Humans are essentially selfish, self-absorbed and vicious. Valerie knew that first hand. Had she been tested I have no doubt she would have registered a genius IQ. As it is many see her as having died as a worthless indigent junkie Dyke.While nothing could be further from the real truth.

Valerie was rich in the human experience. She was keen to the tricks of the trade in human politics and social conscience. And she shot Andy Warhol because he deserved it and so as to make them both famous in that immortal meeting between the minds of two spirits that saw this world as something more and far less than the plastic bloated facade that lives to this day thinking itself an example of civil~ization.
Rest in Peace Valerie. And thank you for the wisdom, page after page. (Yes dear reader you have to look deeper to see past the scum.)

0 of 0 people found the following review helpful.
One Star
By Ryan Nacy
One word: disgusting

See all 42 customer reviews...

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